Then and Now: Reworking of Mahabharata by Shashi Deshpande

Authors

  • Dr. Ruchi Goyal Assistant Professor, Department of English, Lal Bahadur Shastri PG College, Jaipur

Keywords:

Mythology, reworking, womanhood, patriarchy, contemporary, society

Abstract

Story-telling is a natural phenomenon of human life, far away from the boundaries of culture, and languages and myths are the most fascinating, inspiring, and provoking sources for stories across the ages and geographical limits. Shashi Deshpande is one of the few Indian English writers who have acknowledged the influence of myths on society and worked with Indian mythological characters with improved focus and vision. She tries to manipulate a constant parallel between contemporaneity and antiquity. Some of her short stories are highly influenced by mythological tales and characters through which she gets a tour of ancient spheres of life to resolve all kinds of social, political, and spiritual apprehensions. The present paper proposes an in-depth analysis of some selected mythological characters from Mahabhartha portrayed in Deshpande’s short stories where she articulates these mythological characters to bring out the original ideals of womanhood. It aims to study that how Deshpande rejects stereotypes of mythological characters of Kunti in Hear me Sanjaya, Amba in The Inner Rooms, Draupadi in And What has been Decided, and Lord Krishna in My Beloved Charioteer and re-questions their identity.  Deshpande portrays these characters speaking to their mind and soul not being dominated by any social conditioning. The attempt here is to explore the theme of patriarchal dominance and biased gender roles by exploring the feminist threads in these stories.

Author Biography

Dr. Ruchi Goyal, Assistant Professor, Department of English, Lal Bahadur Shastri PG College, Jaipur

Dr. Ruchi Goyal is an Assistant Professor of English at LBS PG College, Jaipur. Her research and publications address Postcolonial Literature, Literary and Culture Theory, and Indian Literature in English. She is fascinated by how literature intersects and interacts with the milieu of identity politics. She has presented papers in National and International Seminars and conferences. Her areas of interest also include Gender Studies, Women’s Rights, Sexuality and Socio-economic Conditions, Art and the Representation of Women.

References

Beauvoir, Simone de. The Second Sex. Vintage Random House, 1997.

Deshpande, Shashi. The Stone Women. Green Bird Book, 2000.

---. Writing from the Margin and Other Essays. Penguin Books, 2003.

---. Collected Short Stories. Vol. 1, Penguin Books India Pvt. Ltd, 2003.

---. Collected Short Stories. Vol. 2, Penguin Books India Pvt. Ltd, 2004.

Hampamma, G. “The Predicament of Epic Women in the Shorter Fiction of Shashi Deshpande: A Feministic Perspective.” International Journal of Research in Social Sciences and Humanities, vol.3, no.2, 2014.

Kharbe, Ambreen Safder. Mythological Exploration in the Thousand Faces of Night, Where Shall We Go This Summer and A Matter of Time. https://standrewscollege.ac.in

Pattnaik, Devadutt. Myth-Mithya: A handbook of Hindu Mythology. Penguin Books, 2006.

Ray, Pratibha. Yajnaseni -The Story of Draupadi, translated by Pradip Bhattacharya, Rupa & Co, 2011.

Singh, Rashmi. “Deshpande‘s Interpretation of Indian Myths to redefine Female Identity.” International Journal of Multidisciplinary Research Review, 2015.

S Prasanna, Sree. In Conversation with Shashi Deshpande in Woman in the Novels of Shashi Deshpande - A Study. Sarup & Sons, 2003

“Myths are Forever.” The Hindu. www.thehindu.com/books/literary-review/myths-are forever/article7164717.ece

Downloads

Published

01-07-2021

How to Cite

Ruchi Goyal. (2021). Then and Now: Reworking of Mahabharata by Shashi Deshpande. Journal of Teaching and Research in English Literature, 12(3), 24–29. Retrieved from https://journals.eltai.in/index.php/jtrel/article/view/7

Issue

Section

Research Articles