Girish Karnad’s Naga- Mandala: Myths Retold

Authors

  • K. Manjula Bashini Lecturer in English PSNA College of Engineering & Technology, Dindigul, Tamilnadu, India

Keywords:

Myth, Naga-Mandala, Folktales

Abstract

 “The real function of literature in human affairs is to continue myths’ ancient and basic endeavour to create a meaningful place for man in a world oblivious to his presence”, says Vincent B. Leitch. Following that, Girish Karnad’s plays reflect upon contemporary Indian cultural, religious, psychological, and social life through the use of myths, folktales, and historic legends. His Naga-Mandala revolves around the tale of Rani who is treated like a dumb member by her father and her husband, with neither voice nor choice. This paper analyses how Karnad has made use of myths and folktales in Naga-Mandala.

References

Day, Martin S. The Many Meanings of Myth. Lanham: UP of America, 1984.

Gupta, Santhosh. ‘Naga- Mandala: A Story of Marriage and Love.’ The Plays of Girish Karnad: Critical Perspectives. (ed) Dodiya Jay dip Singh. New Delhi: Prestige Books, 1999.

Jayaram, K.V. ‘Myths Retold: Serpent Worship.’ The Indian Magazine. 14.6(1994):77-78

Karnad, Girish. ‘Acrobating between the Traditional and Modern.’ Indian Literature.32.3 (1989):35

---, Naga- Mandala. New Delhi: OUP, 1990.

Leitch, Vincent B. American Literary Criticism from the Thirties to the Eighties. New York: Columbia UP, 1988.

Nanda Kumar, Prema. Rev of Three Plays: Naga-Mandala, Hayavadana, and Tughlaq. World Literature Today. 69.2. (1995): 434-435

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Published

01-10-2010

How to Cite

K. Manjula Bashini. (2010). Girish Karnad’s Naga- Mandala: Myths Retold. Journal of Teaching and Research in English Literature, 2(2), 26–28. Retrieved from https://journals.eltai.in/index.php/jtrel/article/view/JTREL020206

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Section

Research Articles