Expression in Repression: Examining the Intricacies of Female Sexuality in Girish Karnad’s Wedding Album

Abstract

The article critically examines the depiction of societal issues, particularly about women, in the plays of Girish Karnad, with a focused analysis of Wedding Album. It explores the notable shift in Karnad's writing style post-1997, highlighting his engagement with contemporary themes such as identity, gender dynamics, globalization, and the dichotomy of tradition versus modernity. The paper scrutinizes Karnad's portrayal of characters like Vidula and Hema, arguing that these figures act as a conduit for critiquing patriarchal structures and illuminating women's complexities in navigating cultural norms. Furthermore, the research delves into Karnad's subtle yet profound exploration of female sexuality, using characters like Vidula to challenge and question established societal conventions. Through Wedding Album, Karnad provides an insightful examination into the intricate facets of women's lives, encompassing their existential quandaries and the often-unvoiced struggles within the Indian milieu. This essay underscores Karnad's significant contributions to feminist discourse and highlights his skill in depicting the multifaceted experiences of women in a society undergoing rapid transformation.